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- Alban, Vicente
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- Canaletto
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- Cassatt, Mary
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- Chase, William Merritt
- Cheret, Jules
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- da Vinci, Leonardo
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- Ingres, Jean-Auguste Dominique
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- Knight, Louis Aston
- Koka (Toyonari), Yamamura
- Lange, Dorothea
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- Manet, Edouard
- Mantegna, Andrea
- Master of the Female Half-Lengths
- Melendez, Luis
- Metcalf, Willard Leroy
- Meteyard, Sidney Harold
- Meyer, Emile
- Miller, Samuel
- Modigliani, Amedeo
- Monet, Claude
- Moran, Thomas
- Mucha, Alphonse Marie
- Nadar (Gaspard-Felix Tournachon)
- Parker, George A
- Parrish, Maxfield
- Paxton, William McGregor
- Peto, John Frederick
- Pissarro, Camille
- Pratt, Henry Cheever
- Ravenel Huger Smith, Alice
- Redmond, Granville
- Redon, Odilon
- Reid, Robert
- Rembrandt (Rembrandt van Rijn)
- Renoir, Auguste
- Roesen, Severin
- Rose, Guy
- Rossetti, Dante Gabriel
- Rousseau, Henri
- Ryder, Albert Pinkham
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- Tiffany Glass & Decorating Company
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- Unknown
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- van der Weyden, Rogier
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- van Ruisdael, Jacob
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- Verner, Elizabeth O'Neill
- Vonnoh, Robert
- Vuillard, Edouard
- Whistler, James McNeill
- Waltman, Harry Franklin
- A-F
- Museums
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- Exhibitions
- Albrecht Dürer and Master Prints
- Alphonse Mucha: Master of Art Nouveau
- Art and Imagination in Spanish America, 1500-1800: Highlights from LACMA's Collection
- Bouguereau & America at San Diego Museum of Art
- Destinations in Paintings: The Kasten Collection
- Edgar Degas: The Private Impressionist
- Glackens and Renoir: Affinities and Distinctions
- In Bloom: Painting Flowers in the Age of Impressionism at Denver Art Museum
- Joseph Stella: Visionary Nature
- Michelangelo: Mind of the Master at The Cleveland Museum of Art
- Mount Washington: The Crown of New England
- Myth and Faith in Renaissance Florence
- Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance
- Seven Masters: 20th Century Japanese Woodblock Prints from the Wells Collection at Minneapolis Institute of Art
- The Idea of North: The Paintings of Lawren Harris
- Thomas Cole: The Artist as Architect
- Thomas Cole’s Refrain: The Paintings of Catskill Creek
- Thomas Cole's Studio: Memory and Inspiration at the Thomas Cole National Historic Site
- Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement
- Vilcek Foundation
- Whistler to Cassatt: American Painters in France
- Wild Spaces，Open Seasons: Hunting and Fishing in American Art
- William Merritt Chase at Museum of Fine Arts, Boston
- William McGregor Paxton and Elizabeth Okie Paxton: An Artistic Partnership
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+Exhibitions
- Albrecht Dürer and Master Prints
- Alphonse Mucha: Master of Art Nouveau
- Art and Imagination in Spanish America 1500-1800: Highlights from LACMA's Collection
- Bouguereau & America at San Diego Museum of Art
- Destinations in Paintings: The Kasten Collection
- Edgar Degas: The Private Impressionist
- Glackens and Renoir: Affinities and Distinctions
- In Bloom: Painting Flowers in the Age of Impressionism at Denver Art Museum
- Joseph Stella: Visionary Nature
- Michelangelo: Mind of the Master at The Cleveland Museum of Art
- Mount Washington: The Crown of New England
- Myth and Faith in Renaissance Florence
- Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance
- Seven Masters: 20th Century Japanese Woodblock Prints from the Wells Collection at Minneapolis Institute of Art
- The Idea of North: The Paintings of Lawren Harris
- Thomas Cole: The Artist as Architect
- Thomas Cole’s Refrain: The Paintings of Catskill Creek
- Thomas Cole's Studio: Memory and Inspiration at the Thomas Cole National Historic Site
- Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement
- Whistler to Cassatt: American Painters in France
- Wild Spaces，Open Seasons: Hunting and Fishing in American Art
- William McGregor Paxton and Elizabeth Okie Paxton: An Artistic Partnership
- William Merritt Chase at Museum of Fine Arts, Boston
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Artist: William Merritt Chase:1887Oil on canvas17 3/8 x 22 3/8 in.44.1 x 56.8 cmColby College...