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- Hughes, Arthur
- Ingres, Jean-Auguste Dominique
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- Lange, Dorothea
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- Lawson, Ernest
- Leyster, Judith
- Lhermitte, Leon Augustin
- M-R
- Macke, August
- Manet, Edouard
- Mantegna, Andrea
- Marc, Franz
- Master of the Female Half-Lengths
- Melendez, Luis
- Metcalf, Willard Leroy
- Meteyard, Sidney Harold
- Meyer, Emile
- Miller, Samuel
- Modigliani, Amedeo
- Monet, Claude
- Moran, Thomas
- Mucha, Alphonse Marie
- Nadar (Gaspard-Felix Tournachon)
- Parker, George A
- Parrish, Maxfield
- Paxton, William McGregor
- Peto, John Frederick
- Pissarro, Camille
- Pratt, Henry Cheever
- Prendergast, Maurice
- Ranger, Henry Ward
- Ravenel Huger Smith, Alice
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- Redon, Odilon
- Reid, Robert
- Rembrandt (Rembrandt van Rijn)
- Renoir, Auguste
- Roesen, Severin
- Rose, Guy
- Rossetti, Dante Gabriel
- Rousseau, Henri
- Ryder, Albert Pinkham
- S-Z
- Sandys, Frederick
- Sargent, John Singer
- Schamberg, Morton Livingston
- Schiele, Egon
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- Tiffany Glass & Decorating Company
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- Trumbull, John
- Twachtman, John Henry
- Unknown
- Unknown (Peruvian Cuzco School)
- Unknown (Peruvian southern Andes)
- van der Weyden, Rogier
- Van Eyck, Jan
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- van Ruisdael, Jacob
- Van Walscapelle, Jacob
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- Albrecht Dürer and Master Prints
- Alphonse Mucha: Master of Art Nouveau
- Art and Imagination in Spanish America, 1500-1800: Highlights from LACMA's Collection
- Blue Grass, Green Skies: American Impressionism and Realism from Los Angeles County Museum of Art
- Bouguereau & America at San Diego Museum of Art
- Destinations in Paintings: The Kasten Collection
- Edgar Degas: The Private Impressionist
- Farm to Table: Art Food and Identity in the Age of Impressionism
- Glackens and Renoir: Affinities and Distinctions
- In Bloom: Painting Flowers in the Age of Impressionism at Denver Art Museum
- Joseph Stella: Visionary Nature
- Michelangelo: Mind of the Master at The Cleveland Museum of Art
- Mount Washington: The Crown of New England
- Myth and Faith in Renaissance Florence
- Native Prospects: Indigeneity and Landscape
- Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance
- Seven Masters: 20th Century Japanese Woodblock Prints from the Wells Collection at Minneapolis Institute of Art
- The Idea of North: The Paintings of Lawren Harris
- Thomas Cole: The Artist as Architect
- Thomas Cole’s Refrain: The Paintings of Catskill Creek
- Thomas Cole's Studio: Memory and Inspiration at the Thomas Cole National Historic Site
- Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement
- Vilcek Foundation
- Whistler to Cassatt: American Painters in France
- Wild Spaces，Open Seasons: Hunting and Fishing in American Art
- William Merritt Chase at Museum of Fine Arts, Boston
- William McGregor Paxton and Elizabeth Okie Paxton: An Artistic Partnership
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- About us
- Home
- Artists
- A-F
- Alban, Vicente
- Alma-Tadema, Laura Theresa
- Amans, Jacques Guillaume Lucien
- Ball, Thomas Watson
- Bazille, Frederic
- Beaux, Cecilia
- Bellows, George Wesley
- Beraud, Jean
- Bierstadt, Albert
- Bingham, George Caleb
- Binoit, Peter
- Bosschaert, Ambrosius
- Bouguereau, William Adolphe
- Bronzino (Agnolo di Cosimo di Mariano)
- Brown, Ford Madox
- Browne, Matilda
- Bunce, Kate Elizabeth
- Buonarroti, Michelangelo
- Burne-Jones, Sir Edward
- Cabrera (attributed to), Miguel
- Caccia, Orsola Maddalena
- Canaletto
- Carriera, Rosalba
- Cassatt, Mary
- Cezanne, Paul
- Chadwick, William
- Chase, William Merritt
- Cheret, Jules
- Church, Frederic Edwin
- Cleeve, Joos van
- Cohen, Lewis
- Cole, Thomas
- Corot, Camille
- Cort, Cornelis
- Courbet, Gustave
- Cropsey, Jasper Francis
- Curtis, Edward Sheriff
- da Vinci, Leonardo
- Dasburg, Andrew
- de Arellano, Antonio
- de La Tour, Georges
- de Torres, Antonio
- DeBylandt, Alfred E.A.
- Degas, Edgar
- Demuth, Charles
- Dente, Marco
- Dewing, Thomas Wilmer
- Dove, Arthur Garfield
- Duncanson, Robert S.
- Durer, Albrecht
- Eakins,Thomas
- Fantin-Latour, Henri
- Figari, Pedro
- G-L
- Garzoni, Giovanna
- Gauguin, Paul
- Gentileschi, Artemisia
- Gentileschi, Orazio
- Godward, John William
- Goya (Francisco Goya y Lucientes)
- Goyo, Hashiguchi
- Grabach, John R.
- Gris, Juan
- Gutierrez, Felipe Santiago
- Hale, Phillip Leslie
- Hammershøi, Vilhelm
- Haravi, Mir Ali
- Harris, Lawren S.
- Hartley, Marsden
- Hassam, Childe
- Hasui, Kawase
- Heade, Martin Johnson
- Henri, Robert
- Hiroshige, Ichiryusai
- Holguin, Melchor Perez
- Homer, Winslow
- Hopper, Edward
- Huber, Jakob Wilhelm
- Hughes, Arthur
- Ingres, Jean-Auguste Dominique
- Inness, George
- Ipsen, Ernest Lugwig
- Johnson, Eastman
- Johnson, Malvin Gray
- Juarez, Nicolas Rodriguez
- Kensett, John Frederick
- Knight, Louis Aston
- Koka (Toyonari), Yamamura
- Lange, Dorothea
- Lawrence, Sir Thomas
- Lawson, Ernest
- Leyster, Judith
- Lhermitte, Leon Augustin
- M-R
- Macke, August
- Manet, Edouard
- Mantegna, Andrea
- Marc, Franz
- Master of the Female Half-Lengths
- Melendez, Luis
- Metcalf, Willard Leroy
- Meteyard, Sidney Harold
- Meyer, Emile
- Miller, Samuel
- Modigliani, Amedeo
- Monet, Claude
- Moran, Thomas
- Mucha, Alphonse Marie
- Nadar (Gaspard-Felix Tournachon)
- Parker, George A
- Parrish, Maxfield
- Paxton, William McGregor
- Peto, John Frederick
- Pissarro, Camille
- Pratt, Henry Cheever
- Prendergast, Maurice
- Ranger, Henry Ward
- Ravenel Huger Smith, Alice
- Redmond, Granville
- Redon, Odilon
- Reid, Robert
- Rembrandt (Rembrandt van Rijn)
- Renoir, Auguste
- Roesen, Severin
- Rose, Guy
- Rossetti, Dante Gabriel
- Rousseau, Henri
- Ryder, Albert Pinkham
- S-Z
- Sandys, Frederick
- Sargent, John Singer
- Schamberg, Morton Livingston
- Schiele, Egon
- Shinshui, Ito
- Shunsen, Natori
- Snowman, Isaac
- Solomon, Simeon
- Steinlen, Theophile-Alexandre
- Stella, Joseph
- Tanner, Henry Ossawa
- Tarbell, Edmund Charles
- Tiffany, Louis Comfort
- Tiffany Glass & Decorating Company
- Toulouse-Lautrec, Henri de
- Trumbull, John
- Twachtman, John Henry
- Unknown
- Unknown (Peruvian Cuzco School)
- Unknown (Peruvian southern Andes)
- van der Weyden, Rogier
- Van Eyck, Jan
- Van Gogh, Vincent
- Van Huysum, Jan
- van Ruisdael, Jacob
- Van Walscapelle, Jacob
- Vermeer, Johannes
- Verner, Elizabeth O'Neill
- Vonnoh, Robert
- Vuillard, Edouard
- Whistler, James McNeill
- Waltman, Harry Franklin
- A-F
- Museums
- Art Gallery of Hamilton
- Art Institute of Chicago
- Birmingham Museums and Art Gallery
- Brooklyn Museum
- Butler Institute of American Art
- Cleveland Museum of Art
- Colby College Museum of Art
- Cooper Hewitt, Smithsonian Design Museum
- Currier Museum of Art
- Dallas Museum of Art
- Davis Museum at Wellesley College
- Florence Griswold Museum
- Gibbes Museum of Art
- Graphische Sammlung Albertina, Vienna
- Hartford Public Library
- High Museum of Art
- Hirshhorn Museum and Sculpture Garden
- Indianapolis Museum of Art
- Los Angeles County Museum of Art
- Lyndhurst
- The J. Paul Getty Museum
- The Kasten Collection
- The Metropolitan Museum of Art
- Minneapolis Institute of Art
- Mount Holyoke College Art Museum
- Musée Carnavalet Histoire de Paris
- National Gallery of Art
- New Orleans Museum of Art
- Petit Palais Musee de Beaux-arts de la Ville de Paris
- Philadelphia Museum of Art
- Portland Museum of Art
- Smithsonian American Art Museum
- Teylers Museum
- Toledo Museum of Art
- Vancouver Art Gallery
- Vilcek Foundation
- Wadsworth Atheneum
- Yale University Art Gallery
- Exhibitions
- Albrecht Dürer and Master Prints
- Alphonse Mucha: Master of Art Nouveau
- Art and Imagination in Spanish America, 1500-1800: Highlights from LACMA's Collection
- Blue Grass, Green Skies: American Impressionism and Realism from Los Angeles County Museum of Art
- Bouguereau & America at San Diego Museum of Art
- Destinations in Paintings: The Kasten Collection
- Edgar Degas: The Private Impressionist
- Farm to Table: Art Food and Identity in the Age of Impressionism
- Glackens and Renoir: Affinities and Distinctions
- In Bloom: Painting Flowers in the Age of Impressionism at Denver Art Museum
- Joseph Stella: Visionary Nature
- Michelangelo: Mind of the Master at The Cleveland Museum of Art
- Mount Washington: The Crown of New England
- Myth and Faith in Renaissance Florence
- Native Prospects: Indigeneity and Landscape
- Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance
- Seven Masters: 20th Century Japanese Woodblock Prints from the Wells Collection at Minneapolis Institute of Art
- The Idea of North: The Paintings of Lawren Harris
- Thomas Cole: The Artist as Architect
- Thomas Cole’s Refrain: The Paintings of Catskill Creek
- Thomas Cole's Studio: Memory and Inspiration at the Thomas Cole National Historic Site
- Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement
- Vilcek Foundation
- Whistler to Cassatt: American Painters in France
- Wild Spaces，Open Seasons: Hunting and Fishing in American Art
- William Merritt Chase at Museum of Fine Arts, Boston
- William McGregor Paxton and Elizabeth Okie Paxton: An Artistic Partnership
- Styles
- Abstract
- Academic
- American
- Animals
- Architecture
- Asian
- Baroque
- Canadian
- Contemporary
- European
- Figurative
- Floral
- Folk
- Hudson River School
- Impressionism
- Landscapes
- Latin American
- Maps
- Modern
- Photography
- Post-Impressionism
- Pre-Raphaelite
- Prints and Drawings
- Realism
- Regency
- Religious
- Renaissance
- Sculpture
- Seascapes and Maritime
- Still Life
- Vintage
- All Prints
- About us
Study of Flesh Color and Gold
NGOA0002CHASE11x14
$15.00
Artist:
William Merritt Chase
Details:
1888
Pastel on paper
18 x 13 in.
45.7 x 33 cm
National Gallery of Art
Gift of Raymond J. and Margaret Horowitz
2007
Courtesy National Gallery of Art Washington
Collections: American, Figurative, Impressionism, National Gallery of Art, William Merritt Chase, William Merritt Chase at Museum of Fine Arts, Boston
Category: American, American Impressionism, Courtesy National Gallery of Art Washington, figurative, figure, Impressionism, interior, kimono, National Gallery of Art, nude, William Merritt Chase, William Merritt Chase at Museum of Fine Arts Boston, woman's back
Type: Print
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